K. J. Yesudas discography Wikipedia. K. J. Yesudas is a multilingualsinger, singing Indian classical music, devotional, light music, and Film songs. His commercially published recordings span multiple genres. Carnatic Classical MusiceditGurusmaranaeditGurusmarana, is one of Yesudass Carnatic classical music albums, in which he has sung with his guru Chembai Vaidyanatha Bagavathar. There are 2 cassettes currently released  Vol 1 2. Album produced by BGM Tharangini. Songs Raaga Series  Raagam Thodi is a Carnatic classical music album, a garland kritis presented by Dr. K. J. Yesudas. Album begins with the kriti. Swami Unnai, followed by a Muthuswami Dikshitar composition Mahaganapathim. Yesudas decorates this kriti with Kalpanaswarams and gamakas. Other Kritis are Sarasija and Dakshayani and album ends with an Oothukadu Venkatasubba iyer composition Thaye Yesoda. The album is produced by Tarangini Music, India. Krithis. Swami Unnei. Mahaganapathim. Yemijesina. Free Sanskrit books online for download. Large collection of popular Sanskrit PDF eBooks. Topics include Sanskrit stories, Ayurveda and health. Understanding Manu Smritis views on women. Let us work together to institute the true Manuvaad. Satya means truth and narayana means The highest being so Satyanarayan means The highest being who is an embodiment of Truth. The Satyanarayana. Sarasija. Dakashayani. Thaye Yasodha. Krishna Nee Begane BaaroeditKrishna Nee Begane Baaro, a recording of live performance by Gana Gandharva Yesudas in the presence of His Holiness Sri Sri Sri Vishveshatheertha Swamiji of Pejavara Sri Krishna Math, Udupi in early 2. He is accompanied by Prov. V. Praveen on Mridangam, Mahadeva Sharma on violin and T. Radhakrishna on Ghatam. Gajavadana Beduve, Raagam  Hamsadhwani, Taalam  Aadi, Lyric  Sri Purandradasa. Krishna Nee Begane, Raagam  Yaman Kalyani, Taalam  Mishra Chapu, Lyric  Vyasatirtha. Tirupathi Venkataramana, Raagam  Keeravani, Taalam  Aadi, Lyric Sri Purandradasa. Bhagavad Gita Slokas In Kannada Pdf To WordKotta Bhaagyave Saako, Raagam  Shanmukhapriya, Taalam  Aadi, Lyric Vidya prasanna theertha. Nalidaade yenna Naaaliqe, Raagam  Shuddha Saveri, Taalam  Aadi, Lyric Sri sri Ranga Viitala. Srinivasa Yennabittu, Raagam  Sriranjani, Taalam  Aadi, Lyric Sri sri Ranga Viitala. Guruvina Gulaama, Raagam  Hamsanandi, Taalam  Aadi, Lyric Sri Purandradasa. Jagadodhaarana, Raagam  Kpi, Taalam  Aadi, Lyric Sri Purandradasa. Festival AlbumseditThiruvona KaineettameditThiruvona Kaineettam is an album of Onam festival Malayalam songs. All songs were written by Gireesh Puthenchery and the music was composed by Vidyasagar. Sujatha and Vijay Yesudas also sang in this album with Yesudas. Album released by Tharangini in 2. Songs. Aaranmula Palliyodam Yesudas Vijay Yesudas Aaro Kamazhthivecha Yesudas Sujatha Chandanavala Sujatha Vijay Yesudas Illakkulangara Yesudas Paraniraye YesudasPoomullakkodi Yesudas Sujatha Thevaaramuruvidum Yesudas Villinmel Yesudas Ponnona TharanginieditPonnona Tharangini is a musical album by Dr K J Yesudas. As the name suggests, the songs in the album were made on the basis of Onam, released by Tharangini. The Mahbhrata Sanskrit, Mahbhratam, pronounced mabartm is one of the two major Sanskrit epics of ancient. Comments Download Free Sanskrit Books from Digital Library of India 475 Comments. Bhagavad Gita Slokas In Kannada Pdf Stories' title='Bhagavad Gita Slokas In Kannada Pdf Stories' />All songs were written by Sree Kumaran Thambi and the music was composed by Maestro Raveendran. Album released by Tharangini in 1. Songs. Chingavayalkkili. Mannin Manam. Mudippokal Vadiyal. Palnira Poo Ponchiri. Pathira Maykathil. Pookkalam Kanunna. Bhagavad Gita Slokas In Kannada Pdf' title='Bhagavad Gita Slokas In Kannada Pdf' />Thonikaranum avante pattum. Uyarukayay. Devotional ReleaseseditHymns from the Rig VedaeditThe Album Hymns from the Rig Veda is one of the greatest albums of K J Yesudas. The album composed by Maestro Sri Rangasami Parthasarathy and recorded using Indian musical instruments in the background score. The Rig Veda is the most ancient of the four Vedas and is one of the oldest texts of any Indo European language and one of the worlds oldest religious texts. Forty minutes album consists of 1. Hymns in 1. 0 Mandalas. Mandalas V 5. 1 1. VII 3. 5 1 to 1. X 6. X 1. X 1. 91 1 to 4. Album contained the text in Sanskrit with transliteration in English. Album released in 1. Oriental Records. Music for Meditation Gayatri MantraeditAlbum Music for Meditation  Gayatri Mantra was composed by Sri Rangasami Parthasarathy and sung by K J Yesudas. The Gayatri Mantra is sung in nine different ragas to symbolize the oneness of Divinity. Album released by Oriental Records. Vocal Artist K. J. Yesudas Flute Hariprasad Chaurasia. Santoor Shivkumar Sharma. Sarod Brij Narayan. Sitar Janardhan Mitta. Veena Music R. Parthasarathy. Bhagavad Gita  Song of GodeditBhagavad Gita  Song of God is the Sanskrit album series by Yesudas and Music Composed and Produced by R Parthasarathy in 1. Oriental Records. The Bhagavad Gita is as the spiritual wisdom of India. Bhagavad Gita, Chapter 1. Chapter 1. 2 is on the Bhakti Yoga. Krishna describes the glory of devotion to God. Chapter 1. 5 is known as Purusottama yoga. Krishna reveals the virtues, glories and transcendental characteristics of God. He explains the purpose and value of knowing about God. Bhagavad Gita, Chapter II  CD contains selected 3. Slokas in the Chapter II. Starting from sloka 2. The Atma is never born nor does it die, the artists recorded all the major slokas and concludes with 7. One who abandons all desires attains the state of final emancipation. MayilppeelieditMayilppeeli is a Malayalam Hindu devotional album composed by K. G. Jayan in 1. 99. The lyrics of the songs were written by S. Ramesan Nair and sung by Dr. K. J. Yesudas. The album was produced by Yesudas Tharangini Records. Upon release all the songs were become instant hits and still considered as evergreen classics. Light MusiceditSongs are. Ahimsa. Atta Apu. Beauty All Around. Circle Of Return. Gitanjali. Hari. Misere Karuna. Nirahamhara. Sari Sari. Sitaron Mein Tu HieditSitaron Mein Tu Hi is one of Yesudass hit music albums in Hindi. Songs are written by Mehboob and the music direction by Maestro Lalit Sen. Album was released by Universal in 2. Songs. Chamak cham cham. Door Humse Na Tum. Dosti Hai Humne To Kiye. Ishq Mushq Na Chupte. Itna Bhi. Man Mohini. Sajni Sajni. Sanwari Saloni Us Pe. Tu Jaan Hai. Tujh Se Bichhad Ke. Film MusiceditMalayalameditPopular songs sung by Yesudas and composed by Baburaj are  Thamasamente Varuvaan  Bhargavi Nilayam 1. Vellichilankayaninjumkondoru Pennu  Kattuthulasi 1. Nadhikalil  Anaarkali 1. Innale Mayangumbol  Anveshichu Kandethiyilla 1. Pranasakhi Njan Verumoru Orupushpam Mathramen  Pareeksha 1. Ezhuthiyatharanu Sujatha Kalichirimaaraatha Penne Udhyogastha 1. Ikkareyanente Tamasam  Karthika 1. Hit songs with composer Dakshinamoorthy are Swapnangale Ningal  Kavyamela 1. Kakkathamburatti  Inapravukal 1. Hrudaya Sarassile  Paadunna Puzha 1. Ponveyil  Nirthasala 1. Songs by Yesudas with Devarajan masters music that became hits are  Ashtamudikkayalile  Manavatty 1. Manikya Veena  Kattupookkal 1. Kattadichu  Thulabharam 1. Thangabhasma  Koottukudumbam 1. Aayiram Padasarangal  Nadi 1. Sangamam Sangamam  Triveni 1. Omalale Kandu  Sindhoora Cheppu 1. Chandralekha Kinnari C. I. D. Nazir 1. 97. Manushyan Mathangale Srishtichu  Achanum Bappayum 1. Sankalppa Vrundaavanathil Taxi Car 1. Indravallarippoo Choodivarum  Gandharava Kshetram 1. Padmatheerthame Unaroo  Gayathri 1. He sang most of his Malayalam songs in the music of Devarajan master around 6. Songs with Salil Chowdhury are Neela Ponmane  Nellu 1. Kalakalam Kayalolangal  Ee Ganam Marakkumo 1. Madaprave Vaa  Madhanotsavam 1. Shyamameghame Neeyen  Samayamayilla Polum 1. From 1. 98. 0s, his hit songs are with composers such as Raveendran, Shyam, M. G. Radhakrishnan, Jerry Amaldev and Johnson. Yesudas made a lot of hit songs with Raveendran master. Ezhuswarangalum  Chiriyo chiri 1. Kanana Poikayil Kalabham Ariyapedatha Rahasiyam 1. Mahabharata Wikipedia. Mahabharata. Manuscript illustration of the Battle of Kurukshetra. Information. Religion. Hinduism. Author. Vyasa. Language. Sanskrit. Verses. 20. 0,0. 00. The Mahbhrata Sanskrit, Mahbhratam, pronounced mabartm is one of the two major Sanskritepics of ancient India, the other being the Rmyaa. The Mahbhrata is an epic narrative of the Kuruketra War and the fates of the Kaurava and the Pava princes. It also contains philosophical and devotional material, such as a discussion of the four goals of life or pururtha 1. Among the principal works and stories in the Mahbhrata are the Bhagavad Gita, the story of Damayanti, an abbreviated version of the Rmyaa, and the story of yasringa, often considered as works in their own right. Traditionally, the authorship of the Mahbhrata is attributed to Vysa. There have been many attempts to unravel its historical growth and compositional layers. The oldest preserved parts of the text are thought to be not much older than around 4. BCE, though the origins of the epic probably fall between the 8th and 9th centuries BCE. Star Wars Kotor 3 Pc Download. The text probably reached its final form by the early Gupta period c. CE. 3 The title may be translated as the great tale of the Bhrata dynasty. According to the Mahbhrata itself, the tale is extended from a shorter version of 2. Bhrata. 4The Mahbhrata is the longest epic poem known and has been described as the longest poem ever written. Its longest version consists of over 1. At about 1. 8 million words in total, the Mahbhrata is roughly ten times the length of the Iliad and the Odyssey combined, or about four times the length of the Rmyaa. W. J. Johnson has compared the importance of the Mahbhrata in the context of world civilization to that of the Bible, the works of William Shakespeare, the works of Homer, Greek drama, or the Quran. Textual history and structure. Modern depiction of Vyasa narrating the Mahbhrata to Ganesha at the Murudeshwara temple, Karnataka. The epic is traditionally ascribed to the sage Vysa, who is also a major character in the epic. Vysa described it as being itihsa history. He also describes the Guru shishya parampara, which traces all great teachers and their students of the Vedic times. The first section of the Mahbhrata states that it was Gaea who wrote down the text to Vyasas dictation. The epic employs the story within a story structure, otherwise known as frametales, popular in many Indian religious and non religious works. It is first recited at Takshashila by the sage Vaiampyana,1. Vysa, to the King Janamejaya who is the great grandson of the Pava prince Arjuna. The story is then recited again by a professional storyteller named Ugrarava Sauti, many years later, to an assemblage of sages performing the 1. Saunaka Kulapati in the Naimia Forest. The text has been described by some early 2. Indologists as unstructured and chaotic. Hermann Oldenberg supposed that the original poem must once have carried an immense tragic force but dismissed the full text as a horrible chaos. Moritz Winternitz Geschichte der indischen Literatur 1. Accretion and redaction. Research on the Mahbhrata has put an enormous effort into recognizing and dating layers within the text. Some elements of the present Mahbhrata can be traced back to Vedic times. The background to the Mahbhrata suggests the origin of the epic occurs after the very early Vedic period and before the first Indian empire was to rise in the third century B. C. That this is a date not too far removed from the 8th or 9th century B. C. 21. 5 is likely. Mahbhrata started as an orally transmitted tale of the charioteer bards. It is generally agreed that Unlike the Vedas, which have to be preserved letter perfect, the epic was a popular work whose reciters would inevitably conform to changes in language and style,1. Paninis 4th century BCE grammar Adhyy 4 2 5. It is estimated that the Sanskrit text probably reached something of a final form by the early Gupta period about the 4th century CE. Vishnu Sukthankar, editor of the first great critical edition of the Mahbhrata, commented It is useless to think of reconstructing a fluid text in a literally original shape, on the basis of an archetype and a stemma codicum. What then is possibleOur objective can only be to reconstruct the oldest form of the text which it is possible to reach on the basis of the manuscript material available. That manuscript evidence is somewhat late, given its material composition and the climate of India, but it is very extensive. The Mahbhrata itself 1. Bhrata proper, as opposed to additional secondary material, while the Avalyana Ghyastra 3. At least three redactions of the text are commonly recognized Jaya Victory with 8,8. Vysa, Bhrata with 2. Vaiampyana, and finally the Mahbhrata as recited by Ugrarava Sauti with over 1. However, some scholars, such as John Brockington, argue that Jaya and Bharata refer to the same text, and ascribe the theory of Jaya with 8,8. The redaction of this large body of text was carried out after formal principles, emphasizing the numbers 1. The addition of the latest parts may be dated by the absence of the Anusana parva and the Virta parva from the Spitzer manuscript. The oldest surviving Sanskrit text dates to the Kushan Period 2. CE. 2. 3According to what one character says at Mbh. Manu 1. 1. 2. 7, Astika 1. Vasu 1. 5. 7, respectively. These versions would correspond to the addition of one and then another frame settings of dialogues. The Vasu version would omit the frame settings and begin with the account of the birth of Vyasa. The astika version would add the sarpasattra and avamedha material from Brahmanical literature, introduce the name Mahbhrata, and identify Vysa as the works author. The redactors of these additions were probably Pcartrin scholars who according to Oberlies 1. Mention of the Huna in the Bhma parva however appears to imply that this parva may have been edited around the 4th centurycitation needed. The snake sacrifice of Janamejaya. The di parva includes the snake sacrifice sarpasattra of Janamejaya, explaining its motivation, detailing why all snakes in existence were intended to be destroyed, and why in spite of this, there are still snakes in existence. This sarpasattra material was often considered an independent tale added to a version of the Mahbhrata by thematic attraction Minkowski 1. Vedic Brahmana literature. The Pacavima Brahmana at 2. Dhtartra and Janamejaya, two main characters of the Mahbhratas sarpasattra, as well as Takaka, the name of a snake in the Mahbhrata, occur. Historical references. The earliest known references to the Mahbhrata and its core Bhrata date to the Adhyy sutra 6. Pini fl. 4th century BCE and in the Avalyana Ghyastra 3. This may mean the core 2. Bhrata, as well as an early version of the extended Mahbhrata, were composed by the 4th century BCE. A report by the Greek writer Dio Chrysostom c. CE about Homers poetry being sung even in India2. Iliad had been translated into Sanskrit. However, Indian scholars have, in general, taken this as evidence for the existence of a Mahbhrata at this date, whose episodes Dio or his sources identify with the story of the Iliad.